“Liebe Mutti” Postcards from Theresienstadt (1943/1944)

An artistic exploration by Inbar Chotzen

Israeli artist Inbar Chotzen first learned about her Berlin relatives through their estate. Rather late she learned that some of her ancestors had been victims of Nazi persecution. Based on 369 postcards sent home by members of the Chotzen family from the Theresienstadt concentration camp between 1943 and 1944, she set out to trace her German family.

In a careful examination of her family’s fate, Inbar Chotzen painted over digitised copies of these postcards with scenes from the family’s everyday life – from a time before political persecution destroyed their life together.

Highlights

Elsa as Liberty (c) Inbar Chotzen
„Störche“, Handgemalt und digital bearbeitet, 12 x 17 cm, 2022
„Brandenburger Tor 1941“, Tintenzeichnung, digital bearbeitet, 2019
Elsa as Liberty (c) Inbar Chotzen
„Störche“, Handgemalt und digital bearbeitet, 12 x 17 cm, 2022
„Brandenburger Tor 1941“, Tintenzeichnung, digital bearbeitet, 2019

In Collaboration with

Publication

The exhibition is accompanied by the publication “Liebe Mutti!” Postcards from Theresienstadt 1943–1944 with artistic works by Inbar Chotzen by Inbar Chotzen, Klaus Hillenbrand, and Ruth Preusse.

Published by the Gedenk- und Bildungsstätte Haus der Wannsee-Konferenz

Deutscher Kunstverlag, September 2025

ISBN: 978-3-422-80305-3
€ 36,00

Publikation "Liebe Mutti, Gedenk- und Bildungsstätte Haus der Wannsee-Konferenz

Implementation

Project management: Viktoria Krieger
Project assistant: Sophia Peix
Concept and writing: Inbar Chotzen and Dr. Ruth Preusse
Design: Ta-Trung GmbH
Berlin Exhibition construction: Franke/Steinert